It works for both cel shading (1) or soft shading (2). In either light or shadow, you may add more levels to increase the light or the shading. In this case, you can choose either a warm (1) or cold (2) hue and, in a new layer, start adding the highlights on the side of the previously decided light source. To add highlights, follow the same process as you did with the shadows. It all depends on the style you’re going for. If you prefer a softer shading, try using the Gaussian blur filter or the Blend tool to blur the edges of the shadow. Set the layer mode to Multiply and lower the opacity if it is too dark. Instead of using this keyboard shortcut you can simply use the Fill tool > Fill from the menu, as shown below: This shortcut will automatically fill the selected area. Once selected (making sure you have your previously chosen color selected too) press Alt + Delete on the layer you want to color the shades. Pay attention to the shapes of the different objects. If you’re using an analogous color scheme (1) (as previously explained, colors which are adjacent to the base color), or a complementary color scheme (2) (colors on opposite sides of the color wheel), see the examples below.Ī quick technique to add shadows: Use the Selection area > Lasso tool to create a selection on the opposite side of the light source. How do I choose the color of the shadows? Then, add the shades on the opposite side. If you are not sure where to place the shadows, pick a light source for the illustration first. Once you have chosen the right color scheme for you, it is time to move on to the coloring technique. The triadic color scheme consists of three colors equally spaced around the color wheel. You can also use a triad or one of its variations to obtain a wider range of colors. Try to limit yourself to a couple of variations per color. You can still use all their variations, but don’t overdo it. To achieve a bigger contrast, you could use a complementary color scheme, which consists of two colors that are on the opposite sides of the color wheel. In terms of tone variation, this is a subtler color scheme. This scheme allows you to use a color and its adjacent ones in the color wheel. If you use an analogous color scheme, you’ll get a wider variety of colors, and you can still use variations in their saturation and lightness. Remember not to change the hue or the color too much. By editing the saturation and the luminosity, you get many other shades. Using a monochromatic color scheme, you get a single base hue and all its variations. You can simply color to mimic real objects, even if they do not have any kind of chromatic harmony, or you can use a color scheme that is much more pleasing to the eye! There are many options when choosing a color scheme. In this case, the contours of the shades are much softer, and your rendering becomes more photorealistic. Soft shading (3): gradual shading that you can create with a shade gradient. It creates depth, but the style is that of a cartoon or traditional animation. In this case, here are two main approaches:Ĭel shading (2) or toon shading consists of applying flat shades. If you want to do something more elaborate, you may want to use shadows and highlights. Just add the color on the object using your favorite color palette.
If you’re looking for simplicity, you may simply use flat colors (1). When it comes to coloring, there no single way to do it. So, go grab your tablet, open Clip Studio Paint, and get ready to color and have a good time!
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So, whether you are a professional illustrator, or you haven’t used a color pencil in years, this is a good exercise to have some fun. Even professional artists have moments of creative block, and this type of exercise can help get the creative juices flowing again. No previous knowledge is required to color them at all – all you need is to time and the mood for coloring. Recently, coloring books for adults have become very popular – they are a nice way to relax and take a load off your mind.
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